Dating a silverface fender
Mid-1968 Super Reverb export model modified by Hagstrm for the Swedish market.
Note the removal of the voltage selector switch and hard-wiring. I just discovered that the silverface Bandmaster speaker cabinet (the big, tall one without tilt-back legs) is ported (see photo). I guess this is what the 1969 catalog refers to as “large, individual specially designed baffles.” And all along I thought the big n’ tall silverface cabs were just a macho thing to compete against the awesome looks of a Marshall half stack or full stack.
It’s unknown if the tweed covering was a mistake (“Oops, I thought this was a 4x10 Bassman cabinet that I was covering”) or intentional, perhaps as a special order.
Non-Schumacher transformers – It’s been universally accepted that Fender only used Schumacher transformers on amps made in the 1960s and 1970s.
I promise the tables will still be there after you finish reading.
Some examples include a '66 Princeton Reverb and ’66 Pro Reverb with Better Coil output transformer, a ‘66 Deluxe Reverb and ‘67 Twin Reverb with Better Coil reverb transformer, and a 1968 Vibro Champ with Better Coil trannies.Note the check boxes for DOM (domestic US model), EXP (export model), CSA (Canada model), STD (standard) and SPEC (special).I have to wonder how often Fender used the SPEC check box and what features a “special” amp or cabinet would have?!One has to wonder where all those factory original export back panels are! Another interesting tidbit is that a lot of Fenders were imported into Australia in the late 1950s and early 1960s that were stock 110-volt (domestic US) units.